The (big) sound that people our nights for 30 years. + 2:50 JMP1 can find 800 secondhand in 2013 for the same price a head allows more things and especially transcribe accurately the game without going through A / D converters average. With experience, I do not orienterais me to the rack config JMP1 the armature (not always, of course). The lack of crunch may not pop, but soon tired of the little room offered by both OD. I thought I could get a quick response with all lamps, all-tube heads but I could try for a better offer well made and offer a wider range. There are a whole bunch of electronics that eats the game and dynamics. I am separated because the game is a little soft, once you pass the studio it's embarrassing. Given the bargain price, it is a correct choice. It has served me well, it's just fine for the scene, for example. I kept almost ten years, in parallel with other amps. For death metal that can suit even if the precise time they seek treble side. For brit rock it will not work (well, you can do everything of course, but good). I mainly used in metal / rock / prog context, with a rather medium need (that's good). A bunch of different guitars (Gibson Les Paul Standard 1990 Strat pickups Duesenberg, ESP. Better get used to really sound very cete medium and a little muddy. The effects racks can rework the EQ to find other colors, but trying too hard to distort the original sound is still loses definition. Long used with different rack effects (Digitech 2120 Alesis Quadraverb, also tried with a Fractal Audio) plugged into an amp and Mesa Boogie 2:50 (which is much more convincing). It is quickly compressed from one ascends the gain.
![marshall jmp 50 marshall jmp 50](https://www.m221b.com/Marshall/JMP50/JMP50a.jpg)
OD can be interesting if you like that kind of color, but you can not get out too. It takes effect in the loop for pleasure, otherwise the record is a little ungrateful. Sounds clear lack of definition, treble bite before cristalins, or more precisely, the adjustment is made on a frequency to be loved. I doubt the relevance of so many when we quickly turns round with the settings, probably for use with 2 or 3 other midi devices whose settings would complement?). Manual, dispensable, can be used for parmétrage noon or recording settings (100 presets. Very intuitive, each parameter is adjustable via a single knob (endless) settings from -6 to 6 for low, mid, high, 0-20 to gain and volume, the setting of the selected parameter is shown in red. We toured the sounds available in less than an hour.Ĭonnectors: entrance facade, 2 outputs on the back for sending in the power amp, an effects loop (a send and return for 2 stereo effects), connection noon to manage other devices, Stereo output with HP emulation, switch +4 / -20 dB. Two lamps preamp for two clean and two types of overdrive which meet soon enough. Not metalheads, unless they add a pedal boost or additional distortion This is not the sound marshall is more versatile. I have been on another pass config as too big, too heavy, too long embtant Marshall E元4 50/50 output + cabinet ORANGE PPC112 = outstanding so for the lover of pure rock sounds you'll be surprised.Īfter having played on a marshall AVT150 are no photos! I am looking mainly good crunch to play a good vieu rock'n roll and clean although slamming crystalin and the palette is great in rglage. I find that his lack of clarity Gnral on some clean. Gnralement I think a little EQ pedal will not make it out too much. I would not say that the sound sucks, but I expected more, round, hotter. On the other hand, like the crunch, it is unheard of for me! excellent sound! just perfect.įor Clean is moin Introduced.
![marshall jmp 50 marshall jmp 50](https://www.njuskalo.hr/image-w920x690/pojacala-gitare/marshall-jmp-50-slika-8842820.jpg)
even with a microphone active EMG-81 ^^ c "is not top. Pramp because it does not leave the BIG sound distortion sick. I am guitarist variety since 2004 and currently plays Jackson EMG-60 and EMG-round 81 bridge. Volume, presence, gain, bass, middle, treble.